![]() ![]() During his 80-minute closing set, he appeared to have little interest in simply satisfying the crowd’s curiosity with another age. When Dylan came out with the Dead after an intermission, he could have easily continued the sing-along, campfire nature of the evening by doing a greatest-hits collection, but he didn’t play by the rules. This audience thrives on the reassuring, ritualistic nature of the Dead’s concerts, and thousands sang along on every song as the sextet opened the evening with a two-hour set. “It’s kinda like having a Woodstock area at Disney World or something. ![]() “I feel like I’m going back in a time machine,” said one excited teen-ager as he walked on the field before the concert. The special treat this night was Dylan, the most acclaimed songwriter of the rock era and the man whose themes of social change cast him-even more than the Beatles-as the spokesman of his generation. It’s likely that they see in the Grateful Dead a convenient way to celebrate the innocence and shared social concerns that they associate with the ‘60s-a way to break briefly from the materialism and coldness that they sense in both the music and attitudes of today. The women sported tank tops, long cotton skirts and sandals-and an occasional flower in the hair. The parking lot outside JFK Stadium before the concert was a colorful sea of young men with psychedelic-colored, tie-dyed T-shirts, headbands and faded jeans, sometimes decorated with peace symbols. Two-thirds or more of the crowd appeared to be under 25-many of them well under. While many of the more than 75,000 fans in the stadium were old enough to have been on hand when the Dead first set up shop in San Francisco two decades ago, the majority of the Deadhead contingent was surprisingly youthful. ![]()
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